I absolutely adored the first book by Kuang that I read (Babel
which you can read about on here as well) so I was pleased when I got
this fancy copy of Katabasis for this past Christmas. It has plenty of
the elements of Babel that I liked, including criticizing academia and
elaborate worldbuilding, but it is more optimistic than Babel while
being slightly hindered in its character development by the restricting
setting.
The premise of this book is evident if you know your
classics, katabasis means a trip to the Underworld. The idea is that Alice’s
graduate advisor Professor Grimes has died and she needs him to graduate, so
she plans to go into Hell and pull him back. Her research mate Peter ends up
coming with her. The resulting trip is a mix of Orpheus, Dante’s Inferno, The
Wasteland, and other sources that describe the afterlife. They don’t find him
in the Fields of Asphodel, or Pride (a library), or Desire (a student center). Along
the way Alice discovers that she’s immune to the effects of the Lethe river,
Grimes gave her a tattoo that keeps her from forgetting anything so her memory
is unaffected. Additionally they get into a fight when Alice peeks at Peter’s
notes and thinks that he’s going to trade her soul for Grimes’. (He isn’t, he
wants to trade his own.) Traveling to the next area they meet Elspeth, a former
student who committed suicide and has since been traveling the Underworld
learning about it. She tells them about the Kipkes, a couple plus their child
who came down willingly to try and find a way back as well. They’re after
anything living as you need blood to get magic to work in Hell.
Alice decided to try and trick Elspeth into telling them
more, and gets them both thrown off of the boat. They travel farther through
darker sins, until they fall into a trap the Kipkes laid. While stuck there
they have time to talk about their past. Alice reveals that Grimes tried to
assault her, and Peter that he has Crohn’s disease, a chronic condition that
results in him missing class and meetings repeatedly. Peter then figures out a
way to get Alice out, while he is stuck there and bled to death by the Kipkes.
Alice travels on and makes it to the city of Dis where a shade who calls
himself John Gradus is her guide. Dis is filled with scholars trying to write
dissertations on why they should get reborn, but they never get feedback or any
indication if they’re heading in the right direction. Alice eventually leaves,
and gets caught in another Kipke trap with a cat. The cat dies, and Alice uses
its blood to escape. She then decides to abandon Grimes and try to kill the
Kipkes.
She lays a trap for them, and manages to eventually throw
the patriarch into the Lethe. His wife and son walk in after him. In the
aftermath, Gradus (who left her right before the fight) appears and reveals
that he saved her by pushing the Kipke into the river. His boat appears and he
goes onward to be reborn. Alice is then found by Elspeth and they make up.
Elspeth decides to help Alice and then make her way through the courts to be
reborn. To help Alice, she gives her a pomegranate tree. The key here is that
nothing living can grow in hell, so this is a True Contradiction and therefore
very powerful. Alice goes to take it to the ruler of hell to bargain for her
life. Elspeth takes her there, where the ruler of hell (many versions of him
exist, here he’s Lord Yama) grants her an audience with Grimes. Once there,
Grimes is so slimy that Alice instead sets up Peter’s idea of how to get Grimes
out of hell: an exchange of souls. But instead of exchanging Grimes into a
living body, she exchanges his soul for Peter’s. Peter emerges, and they head
back to the surface together.
Alright that ended up being quite long, but there’s a lot
here that I want to talk about. First, I am so impressed by the scholarship
that Kuang carried out, there’s a lot of discourse on Hell and the various
adaptations as you go through. A particular point of contention is the layout,
and there’s even images of the characters’ maps at the back of the book.
There’s also math-y things that I didn’t quite understand, but the principle
behind magic in this book is that you set up a paradox. Something like Zeno’s
paradox, which says that movement is impossible as in order to get from A to B
you have to get halfway there, and halfway again, and halfway again, meaning
you can’t move. This sets up a spell rendering someone immobile. And you
dissolve it by using calculus. So the premise is quite cool and just feasible
enough that you don’t need the math, but a lot of what Peter does gets hand
waved by Alice who’s a linguist and doesn’t understand it fully either. So it
ends up working really well as a system in this world!
Next, on a more nitpicky level, I thought the fight between
Alice and Peter was pretty dumb. It’s obvious from the beginning that Peter
wasn’t going to do harm to Alice and the whole things felt contrived. What I
did appreciate about their dynamic though is that they’re a great example of
how academia can make you feel as though you’re in direct opposition to other
students, when really that isn’t the case. These two are kind of forced into
that as there’s barely any other characters in the book, which as another
complaint did feel limiting at times. You kind of get to know Elspeth,
basically no one else is as recurring. Gradus is supposed to be a mystery, and
he also doesn’t even make an appearance until the end. It’s a little
frustrating as the characters in Babel felt so interesting and fleshed
out. Peter’s reveal that he has Crohn’s disease opens up a super interesting
space to talk about disability in academia, but then he dies immediately
afterwards and this isn’t discussed further.
Finally there’s the ending. I did quite appreciate that it
ends on a happy note, Alice is free of her rotten advisor and gets to live with
Peter happily. It makes quite the change from Babel where everyone dies.
I am of course going to nitpick though. I wish we got more of them together, to
talk about ongoing issues that exist. So much of the first half talks about
Alice’s experiences in academia as a woman, it would be nice to hear that but
about Peter and disabled researchers. Or even that they’re going back to a
shitty department and university, getting rid of one advisor doesn’t solve it
all. Alice is clearly no longer under the delusion that academia is the end all
be all, but it doesn’t say what to do next. Contrast with Babel where
there was a clear message to keep fighting. I’m not sure what they’ll do back
from Hell other than live a little, which is nice and progress for them, but as
a reader I feel a little unsatisfied.
Having said all that, I loved this book. I thought the world
building was so cool and the magic system super interesting. I loved the
characters that we do get to know, and I appreciate anything that tackles how
stupid graduate school is. I’ll likely read anything that Kuang pops out next.