I first heard about this book from The Ace Couple podcast,
they reviewed it for its representation of an aromantic and asexual character
and looked on it extremely favorably. So it was on my radar, but I didn’t get
around to picking it up until Mr. Tingle himself came through town and redid
his Bury Your Gays tour at our local library. At that event, I finally
got my hands on the book. And this was really a delightful read, I’m so glad
the starts aligned to make this happen.
The book follows Misha, a writer in Hollywood known for
excellent scripts of queer horror. Misha has an Oscar nomination for his latest
short film about a mouse, and has a season finale of his TV show coming up.
Unfortunately, the tv show follows two agents who Misha wants to make queer and
happy, but the executives say that they’ll make more money if they are queer
and dead. Misha is pondering how to pull this off when odd things start
happening to him. Seems like several of his horror monsters are coming to life
and following him around.
Things are terrifying until he follows one of the tv
executives back to a remote studio location. There he plans to break in, until
the tv executive runs out and drives off, then Misha ends up witnessing his
murder. He heads back to the studio, breaks in, and learns that scientists
there are working on nanobots that can be assembled using AI into anyone the
entertainment company has the rights to. Living, dead, or fictional, doesn’t
matter they can remake them and have them act like themselves. All to make more
money. Misha agrees to kill off his characters, but now the algorithm wants him
dead. He barely makes it through the Oscars, but makes a speech about the
importance of queer joy and changes the algorithm. Now everyone wants queer
happiness with as little conflict as possible, and Misha is still feeling
throttled.
Meanwhile his best friend Tara is aroace and works in IT.
She develops a plan where they go and confront the nanobots and she uploads a
virus into the backdoor of the program, killing them all off. Everywhere in
Hollywood, people turn to ash. Misha writes the ending to the tv show he wants,
and the terrifying fictional monsters stop appearing.
The aroace representation is really a highlight of this
book. You wouldn’t get this from my summary, but Tara is a major character
throughout the book. She’s targeted by the first monster along with Misha and
has equal stakes in their rescue. She also is constantly telling him to turn
off his phone around the company so that they don’t get his data. The ending is
pulled off because 1. The company doesn’t have her data and 2. There’s no
asexual representation, so the AI has no idea what she’ll do. It’s a great way
to have a wonderful character in the book and utilize her sexuality as part of
the plot.
In general though, the book does a great job upending tropes
regarding queer individuals, not just the ace community. It’s title comes
directly from the idea that gay characters cannot be happy in film and tv, they
have to be killed off. Misha gets to directly upend that with his tv show. Misha
himself also gets to live and not be killed off in a fake suicide backstage at
the Oscars. After changing everything to queer joy, the new executive is a
walking gay stereotype and called out as such. As Tingle himself is a queer
writer, I have to imagine that this is pretty autobiographical which is also
cool to think about.
I really enjoyed this book in general, and also specifically
for its representation. Horror isn’t really my cup of tea so I might not have
looked into it otherwise, but I’m so glad I did. I should get around to some of
Tingle’s other horror works, there are so many of them after all!