Picked this one up at a quirky bookstore a while ago. You
probably know John Cage as that guy who wrote 4’33” that song that only
consists of silence. It’s a little more than that, it forces you to listen to
all of the unintentional sounds around you instead of something prepared by the
musician. And of course the end result is that all sounds become music of some
sort. Go ahead, try it out, take all the time you need. I’ll wait right here.
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Anyways, whether you agree or not, you have to admit that
sitting on stage for 4 minutes and 33 seconds without playing a single note is
pretty balsy for a musician. So I thought that this book would help to get into
his head a little more. Turns out that Cage is a pretty great storyteller. Most
of them are very short, but they are quite clever and do usually give some
insight, rather like a Zen koan.
The layout of the book is really cleverly done, the writings
that are in a more typical format are put at the beginning to present this
philosophy and train of thought, and the stranger ones are closer to the end. What
I mean by the stranger or less typical ones are ones where elements of chance
come into play. Such as this entire lecture where the spacing of words on the
page are based on random imperfections so the entire
lecture is written out kind of like this. Makes it kind of hard
to follow. There’s also another lecture where he set up 4 recordings of
different lectures to play at once, so all of those lectures are printed out on
top of each other. That one was impossible to follow, which was the point of
course. Then often there are ones with less crazy formatting, but the content
is largely this refrain about how we are discussing nothing at all, and anyone
who feels sleepy should go to sleep. It can get annoying if you aren’t in the
mood.
Anyways, if that doesn’t throw you off, the lectures do show
his thoughts on several subjects. They can also get pretty repetitive, the
story of him going into an anechoic chamber (a room with absolutely no sound in
it) and discovering that he could in fact hear two noises, is repeated quite
frequently. (The two noises were his nervous system and respiratory system,
therefore we are never in complete silence and there are constantly
unintentional noises going on. See kind of where the idea for 4’33” came from?)
Besides that though there’s also frequent demonstrations of
his reliance on chance operations (like the imperfections in the paper) and
training in Zen Buddhism. It’s quite an interesting read, as long as you keep
your mind open to learning things in unconventional ways. Whether you hate or
love his work, you have to admit that he had an incredible effect on music
today and how we think about music and sounds.
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