I first heard about this book from The Ace Couple podcast, they reviewed it for its representation of an aromantic and asexual character and looked on it extremely favorably. So it was on my radar, but I didn’t get around to picking it up until Mr. Tingle himself came through town and redid his Bury Your Gays tour at our local library. At that event, I finally got my hands on the book. And this was really a delightful read, I’m so glad the starts aligned to make this happen.
The book follows Misha, a writer in Hollywood known for excellent scripts of queer horror. Misha has an Oscar nomination for his latest short film about a mouse, and has a season finale of his TV show coming up. Unfortunately, the tv show follows two agents who Misha wants to make queer and happy, but the executives say that they’ll make more money if they are queer and dead. Misha is pondering how to pull this off when odd things start happening to him. Seems like several of his horror monsters are coming to life and following him around.
Things are terrifying until he follows one of the tv executives back to a remote studio location. There he plans to break in, until the tv executive runs out and drives off, then Misha ends up witnessing his murder. He heads back to the studio, breaks in, and learns that scientists there are working on nanobots that can be assembled using AI into anyone the entertainment company has the rights to. Living, dead, or fictional, doesn’t matter they can remake them and have them act like themselves. All to make more money. Misha agrees to kill off his characters, but now the algorithm wants him dead. He barely makes it through the Oscars, but makes a speech about the importance of queer joy and changes the algorithm. Now everyone wants queer happiness with as little conflict as possible, and Misha is still feeling throttled.
Meanwhile his best friend Tara is aroace and works in IT. She develops a plan where they go and confront the nanobots and she uploads a virus into the backdoor of the program, killing them all off. Everywhere in Hollywood, people turn to ash. Misha writes the ending to the tv show he wants, and the terrifying fictional monsters stop appearing.
The aroace representation is really a highlight of this book. You wouldn’t get this from my summary, but Tara is a major character throughout the book. She’s targeted by the first monster along with Misha and has equal stakes in their rescue. She also is constantly telling him to turn off his phone around the company so that they don’t get his data. The ending is pulled off because 1. The company doesn’t have her data and 2. There’s no asexual representation, so the AI has no idea what she’ll do. It’s a great way to have a wonderful character in the book and utilize her sexuality as part of the plot.
In general though, the book does a great job upending tropes regarding queer individuals, not just the ace community. It’s title comes directly from the idea that gay characters cannot be happy in film and tv, they have to be killed off. Misha gets to directly upend that with his tv show. Misha himself also gets to live and not be killed off in a fake suicide backstage at the Oscars. After changing everything to queer joy, the new executive is a walking gay stereotype and called out as such. As Tingle himself is a queer writer, I have to imagine that this is pretty autobiographical which is also cool to think about.
I really enjoyed this book in general, and also specifically
for its representation. Horror isn’t really my cup of tea so I might not have
looked into it otherwise, but I’m so glad I did. I should get around to some of
Tingle’s other horror works, there are so many of them after all!
