Saturday, October 31, 2020

“Suicide by Ghost” by Rose Sinclair

 The latest installment from the Great Ace Digital Book Box arrived just in time for Ace Week for me! It’s a novella written by the founder of Fuck Yeah Asexual. Heads up that it does not include suicide, but it does have discussions about homophobia and transphobia.

So the characters are not asexual, but the main character is a trans man who basically takes a gay boy and a gay girl under his wing as he travels around ghost hunting. It’s a very cute found family story. My only spot of critique is that there doesn’t seem to be any overarching plot line? There was a really interesting section where the main character suspects that the young boy is haunted by his future self, a really neat idea, but it didn’t build up to anything. It felt like the book didn’t know whether it was a single book or several episodes about their lives and fell short of both.

Having said that, it’s a quick read, there are some really interesting conversations about ghosts and religion, it does deliver within its page span. If you got it for free (as I did) then it is certainly worth that read. Support ace authors!

Wednesday, October 28, 2020

This Is Beautiful: "Generations" by Will Butler

 I know Will Butler primarily as one of the members of Arcade Fire, but recently I've been getting more into his solo albums. After hearing "Anna" ages ago, I figured that this was a musician to watch. His third solo album dropped back in September, and I finally gave it a listen.

I really dug this whole album. It opens with "Outta Here" which builds up from nothing into lyrics that sing about how he (Butler) is getting out of here, he's done and is moving on. It's an awesome opener. From there the rest of the record showcases the diverse sounds that Butler can produce. He goes from punk to folk to church music easily, and in a way that makes it fun. "Bethlehem" could easily have been written by the Talking Heads back in the 80s, while "Surrender" sounds like it's straight from the 60s. I have to wonder if calling the album "Generations" was a nod to all his influences...

It also strikes me how he's able to make songs about some really dark subjects but make them fun and upbeat. "Not Gonna Die" is probably the best example where the lyrics are about death and various ways to die, but it still sounds so upbeat in a way that you can't help but sing along to. "Promised" is similar where it's about being betrayed by a lover but it's one heck of a bop. It really speaks to Butler's talent that he's able to sustain both feelings in such a way where you know that the song is about dark themes but you also enjoy listening to him talk about it. It isn't like say "Blurred Lines" where you feel bad to enjoy the song, you're just struck by the dissonance going on between the emotions that the words hold and the emotions that your body is feeling.

The last song in particular is one that really leaves me with some mixed emotions. The lyrics start off as being about George Washington having slaves, and from there it takes a more autobiographical turn. But the chorus says "it's fine, you've got me this time/I am yours, but/you'll always be mine/together, 'til the end of time." I'm not totally sure what aspect is fine. I think my best guess is that, yeah we have our demons, we all have our skeletons in the closet and regrets. But it's fine. You have your demons, and they have you, until the end of time. It's about being able to accept yourself as you are, not as you'd like to be. Which is pretty neat. Not totally sure why the slavery was necessary to throw in, but there you have it.

Making music right now seems on the one hand super difficult, and on the other might be pretty easy since not much else is happening. Regardless, I'm glad that artists as talented and varied as Butler are continuing to release their sounds into the world.

Saturday, October 24, 2020

“Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex” by Angela Chen

I talked about this earlier this month, but I’ve spent the past couple of weeks reading through Ace and responding to it as I go. Now that I’ve finished the book and Ace Week is here, I figured that I should give a more formal review of the reading experience.

Let me just say: wow this book was amazing. Having spent several years in the ace community and reading about it, I thought that I would not learn a ton from the book, maybe just see the same ideas presented in a different way. I sure was wrong. Every single chapter was written so incredibly well, and with new ideas presented all the time that seemed to flip everything about sex and relationships on its head.

A running theme throughout the book is how language shapes our experience. The way we discuss relationships changes how we perceive them and what we expect out of them. How we navigate describing our identity comes to shape who we are. Our use of the word “erotic” is now entirely sexual when originally, it just meant anything pleasurable. Chen goes through these instances as they appear and picks them apart to question them. She flips several concepts on their heads in the process, for me the most impactful one was about consent. Consent is far more nuanced than a simple yes/no, yet no one ever talks about it as such. What if we restructured those ideas? Would we possibly be better at communicating then? Probably.

Stand out chapters were (all of them tbh) the chapter on compulsory asexuality, race and asexuality, disability and medicalization, romance, and consent. Which I know is just about half the book but they were all really good and each deserves to be highlighted.

I also particularly enjoyed how Chen does not shy away from talking about her own experience. We hear about a number of previous boyfriends as well as her current one. And about her own experience with her sexuality, how she discovered asexuality and learned to accept it. It definitely brought humanity and personality to the book, as well as complementing all of the interviews she quotes from with different experiences from many people. Primarily this is a book about people, and they all shine through, including the author.

This book was incredible, I hope that there are more like it in time. We definitely need more people to be writing, thinking, and studying asexuality if we want it to be more accepted.

Wednesday, October 21, 2020

This Is Beautiful: Ace Week

 So this post is going up the Wednesday before Asexual Awareness Week which this year is Oct. 25-31. I'm so excited and hype for this! AAW has always been a week that I love to celebrate, I originally came out during AAW back in 2015, happy 5 years of being out to me. 

This year I'm running a social event for aces/aros at my university, and I think I'm going to try and get some ace friends together separately. It just seems like a good excuse to make people hang out with me. Which I love doing these days since we're in the virtual realm.

Recently, Michigan became the fourth state to recognize Ace Week (behind Washington, California, and Pennsylvania) which makes this year super special! I can't believe how much progress has been made for ace visibility, and how far we can go for next year.

I feel like this past year I've developed more of an ace community which is lovely. 2019 was hard and I found a lot of solace in asexual pride, and I'm glad that I've started to give back more frequently.

Have a happy Ace Week!

Saturday, October 17, 2020

“Through the Moon” by Peter Wartman and Xanthe Bouma

I needed a bit of a break from Ace and the heavy stuff that comes with examining your identity, so I finally got around to reading Through the Moon. This is a graphic novel that accompanies the Netflix animated series “The Dragon Prince.” The events of Through the Moon take place in between season 3 (which is out now) and season 4 (which is not out yet, ugh). I absolutely adored “The Dragon Prince” and I write specifically about the show here.

So the biggest weakness of Through the Moon is also its greatest strength. The book really only functions as a small tidbit to hold us all over until the next season. It is pretty short, only took me an hour or so to get through, and I doubt that newcomers to the franchise would be drawn in by this. Not much background is given about the characters or to the situation that they are in, so you would have to be familiar with the story already. Having said all that, honestly diving straight into the story is all I wanted and needed out of this book. I doubt many people would be reading it if they don’t know the show.

The art in general I thought paled in comparison to the tv show. There are some pages that are quite lovely, but the show is so vibrant and colorful while the images here can seem muted. There also in general seemed to be less detail in these images. It all still looks great, don’t get me wrong, I just in general think that the art of the show is higher quality.

Not much can be said right now since season 4 is not out yet, but I would guess that understanding the events of Through the Moon are going to be quite important. The book talks a lot about how depressed Rayla is without knowing what happened to her parents or to Runaan, and how she thinks Viren is still alive when everyone else has accepted him to be dead. It gives a very different tone from the end of season 3, and sets things up for season 4 very well. It will be interesting to see how they summarize this story up for those who watch the show but did not read this.

Wednesday, October 14, 2020

This Is Beautiful: Irl Music Rehearsals

As you all know, I have been very opposed to opening up universities this fall. It's stupid and clearly a money grab. That isn't what this post is about. This is about how I signed up to play in a chamber group this fall in person and it has brought so much happiness into my life and reminded me how much I love playing again.

Let me be clear: I am still hoping the school gets shut down. I think that the reopening plan has been horrible. Having said that, the music professors have clearly done their work in making this class safe for participants. We have PPE specific to our instruments (so I have a bag that I have shoved my saxophone into to cover up the disease holes) that has been backed up by studies. Rehearsals are shortened so that the air can circulate and things like that. So yes school sucks but this class is okay.

The last time I played with musicians around me and a conductor in front of me was in March. Since then I have been playing, but it has consisted of me recording myself and sending that in for someone else to mix. I was playing in a vacuum, then shooting it out over the internet and hoping someone did something with it. 

With a conductor, making music is much more of a process. You work together to make a final project and improve as an ensemble. It still requires independent practice, but each rehearsal puts you back together to see how the whole group has changed.

Also just hearing the sound come from all around you is so powerful. It feels like you're a part of something, that you're creating something collaboratively. It's so much better than just hearing yourself or hearing yourself and a recording.

I love playing music so much. I can't believe that I went about six months without it. Even though this might be short-lived, I'm so glad that I'm able to play in person again.

Saturday, October 10, 2020

Ongoing Thoughts on "Ace" by Angela Chen

 Let me first say that I am LOVING the experience of reading Ace by Angela Chen. I am finished with the first two parts of the book and honestly have nothing but good things to say about it. I adore the topics that she covers and how she treats them, and what topics she combines with what.

In particular I adored the second chapter. This chapter is primarily about language and the power of words. She starts the chapter by discussing how language shapes the way we interpret the world and our experiences. Things and sensations that we have words for become more apparent, while those we do not stay invisible. And this is the struggle with asexuality, where because it is defined by a lack of attraction, it is initially invisible to those who don’t know what to look for.

In this situation, the internet has become a great distributor of knowledge and way to introduce people to asexuality. Which is so very true, many aces I know found out about the term through the internet and sites like this exact one. But as a result it is seen as some recent phenomena, when in reality aces have existed forever. It just is only recently that we have disseminated the knowledge of asexuality to many people. Words are powerful, and in this case they can shape the community and what it looks like.

I love what she has to say about labels though. Asexuals get made fun of for all their microlabels, how they categorize all these different forms of attraction. (Of course, these distinctions affect allos as well, they just never have to grapple with the contradictions within themselves and therefore to them the differences don’t exist.) Chen makes the point that these labels ideally should function more as descriptors rather than categories of people. This is so great to me, that way you can try on different labels without worrying about it, and it would be so easy to change between them. Too frequently we fall into thinking about them as permanent categories, rather than the much more transient adjectives they should be.

The chapter closes with the idea that sexuality is fluid and constantly changing. Identity as a whole is like this, but particularly sexual orientation. Our sexuality is shaped by our culture and background, as well as our mental health, and age and how we grow. It is not a constant but an ever-shifting variable. Our language can and should reflect this as well. Another point towards seeing labels as descriptors.

Additionally, to go off on a personal note, the fluidity of sexuality means that there will never be a genetic basis of sexuality. For some reason, scientists really like to hypothesize about the existence of a gay gene. Since I’m a genetics researcher, sometimes people ask me about this as well. I don’t want there to EVER be a gay gene or an ace gene. First of all, sexuality is much more complicated than that. It changes based on what you know about sexuality, the environment you are raised in, your mood. It changes based on just what label you find useful at the time. Something that complicated will never be determined by a single gene. And even if there was one, once we have a gay gene we can diagnose being gay. And that means we can determine definitively who is queer and who is not. Hello gatekeeping. Anyone can pick up any label at any given time, for any reason. It is not anyone’s place to determine who gets to identify as what. Definitely not on the basis of genes.

I am surprised though that she hasn’t talked about how a lot of asexuals feel “broken” yet. This doesn’t come up in her chapter on compulsory sexuality, or the chapter on disability and sickness. Maybe it’ll come up in a later chapter, but this experience is like an undercurrent through all of these chapters. It’s definitely there, just not overtly discussed.

When you’re saturated with content saying that you must be sexual in order to function, and when you live in a society that medicalizes disinterest in sex, it is extremely easy to feel as though there is something wrong with you. There are statements from people that Chen talked to saying that they ordered blood tests to make sure there wasn’t anything wrong. But none of them say that they felt broken until finding out about asexuality and accepting themselves as they are. Sure we get there via different means, Chen still discusses the benefits of identifying as ace and accepting yourself, but this specific path isn’t present.

It seems odd to me that such a common experience doesn’t have a place in this book. So many aces I know of have used that exact term and described more or less this exact thought process. Not everyone goes through this, absolutely, but it is pretty common. Tackling it head on would be the most intuitive way to debunk this idea.

Maybe it just didn’t fit into the stories that Chen wanted to tell, I don’t know. Maybe this idea isn’t that important to anyone else. But it’s important to me. I feel as though a part of the experience of growing up ace is missing from the book without it.

Wednesday, October 7, 2020

This Is Beautiful: Fall

 Fall came upon us really quickly over here in Michigan. I feel like over the course of a couple days it went from being so warm and spring-like to suddenly getting cold. But that's okay, because it's still warm enough to be outside! Lots of cute fall things to do.

I think the best part of fall is the apple cider and the apple cider donuts. You just can't beat a really good donut that also tastes like apples. It is my favorite fall food, and I will not back down on that. The pandemic means that I really don't want to do a lot of typical fall activities, but I am still so down to consume the cider and donuts.

And it's a good excuse to get out of the house! Find some donuts! What an adventure. 

Saturday, October 3, 2020

"Ace" by Angela Chen (on Twitter!)

 So to celebrate the lead up to Asexual Awareness Week at the end of October, I am reading through Ace by Angela Chen and tweeting about it non-stop over on my Twitter. You can find my profile over at https://twitter.com/ChrisprCas9 and I've already started with the first couple of chapters. So far it is an amazing read!

Ace is a book examining asexuality from a critical lens. It is beginner friendly, but also has enough analysis to teach something to those who know a lot about the ace community already. It looks at what asexuality says about societal norms, sexual desire, feminism, and of course sex. Chen is an asexual journalist who spent ages interviewing other asexuals for this book, and she has clearly done her research.

I will definitely make a post on here once I have finished the book, but if you want a look at the process, hop on over to my Twitter account!